Advertisements and Notices
by The Editors
Animal Variations
by Sam Dembling
Attention: A Visual Essay
by Amelia Soth
Crossword: It's Perfectly Unambiguous
by Nathaniel Sandalow-Ash
Material Truth
by Malloy Owen
Museum in the Basement of the Swimming Pool
by Mana Taylor
The Brazilian pavilion at the 1889 Paris Universal Exposition
by Cecília Resende Santos
Zeus in the Accusative. Jazz in Silhouette.
by The Editors
Observations and Inferences Regarding the Curious Residents of Animal Crossing: New Horizons
by Ashley Chupp
Notes from the Cave: No Exit
by Ariella Katz Miller
Christmas in Pariang
by Joshua Craze
Getting There: A Review of Michael Heizer’s City
by Jack Calder
He is muscled like a David on the frame of a street urchin. His beauty is all monkey.
The American Dream/Fear of Cars
by Arlo Bernard
Editors' Letter 4: Kenneth Rexroth's Tombstone
by The Editors
Myriam Gendron
by Sam Dembling
Eden or Atlantis?: A review of the Computer History Museum
by Malloy Owen
Essenschaden
by Stephan Shaw
Issue 5 Editor Diary: Skeuomorphic Boat Shoes
by The Editors
Landscapes at Speed
by Lucy Johnson
Oscar Wilde Visits Vicksburg, Mississippi
by Isabelle Taft
Softex, 2016
by Gautama Mehta
The Puppet Man
by Olivya Veazey
Tomatoes in East Palestine
by Julia Rock, Rob Two-Hawks
The Work of Tragedy in the Spirit of Music
by Benjamin Ginzky
Dadspotting and Its Discontents
by Morley Musick
The Theme Restaurant At the End of History
by Fen Inman
Notes from the Cave
by Ariella Katz Miller
Exam
by Victoria Youngblood
Editors' Letter
by The Editors
I Was An Internet Catholic
by Cameron Knox Day
Zosima
by Jack Calder
Epstein Brain: an interview with Ashley Chupp
by Benjamin Ginzky
Notes from the Cave: Part 2
by Ariella Katz Miller
The Plot to Destroy Mouse Magazine Revealed
by The Editors
Questioning Cameron Knox Day: A Reader Response
by Daniel Ortiz
VR MLK
by Morley Musick
From Bohemia to the Black Arts Movement (and Beyond)
by Benjamin Ginzky
The Union of Salt and Sand
by Amelia Soth
From a Mouse's Notebook
by The Editors
In Our Hands
by Joshua Craze, Wolf Böwig
Absent hands can sign so many things. Violence is not the opposite of speech.
Video Treasures: An Interview with Theo Baransky
by Olivya Veazey
Strand VCI Entertainment was actually American-based. But they were owned by a—you guessed it—British company.
Coney Island and the Economy of Freaks
by Guthrie London
I wanted to see the freaks. Coney Island is famous for them. I wanted to find out if the freaks were still there, or if they had all died.
A Subselection from the Select Archive of Deleted Wikipedia Articles on Aspects of Finnish Literature
by Henri Antikainen
On Hilja, an exclusively Finnish, wordless genre of poetry.
On the Publication of Samuel Greenberg
by Henry Cole Smith
an uneven surface of poetic imitations and archaisms, misspellings and neologisms, a wavering commitment to meter, and an overall pureness of inspiration
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